Artist Feature: Rachel Delmotte
Today we are taking a step into the RISO studio world of Rachel Delmotte. Rachel has been printing with RISO for 8 years, running three machines in her colorful Detroit-based studio space. A studio space is not just a place of work, it is a sanctuary for creativity. Rachel’s open shelves and sun-drenched space is adorned with colorful riso prints, a lovely ink display, and an enviable collection of scissors. Check out Rachel’s space and work here!
Rachel in her studio space in Detroit, Michigan.
How many drums are you running and what colors?
I have been collecting and working on risograph machines in various stages of disrepair for 4 years now ... sort of akin to an old man who collects non-working automobiles on his front lawn. I name each risograph after a cowgirl from the Tom Robbins book, Even Cowgirls Get the Blues; Sissy Hankshaw is a GR2710, Delores del Ruby is an MZ790, and my first machine (and nearest to my heart) is Bonanza Jellybean a real tanker of a GR3750 (her parts machine, another GR3750) is just named Cowgirl, because you shouldn't name a parts machine).
Between the machines I have 10 [working] drums: Cornflower, Fluo Pink, Sunflower, Black, Bisque, Lake, Coral, Paprika, Hunter Green, and Metallic Gold.
Model of Machine: GR2710; GR3750; MZ790
How long have you been printing with RISO?: 8 years
What advice would you give to someone looking to get started with RISO printing?: I was introduced to risography through Outlet PDX, a space that provided an incredibly supportive environment for discovering self-expression through printmaking. It was a low-risk setting where I could make mistakes and learn how to better prepare my files for printing. My hope for anyone starting with RISO is that they find a similarly supportive community where they can explore and express themselves freely.
For those considering getting their own risograph, I’d say—buckle up, baby! Owning and maintaining your own equipment requires a significant time commitment to maintenance and a familiarity with the machine’s inner workings (and non-workings). For me, it’s been equal parts frustrating and rewarding... the challenges have empowered me, as I've developed new mechanical skills and friendships with other printers in the riso community.
I see risograph printing as a collaboration between the artist/printer and the machine. By embracing the quirks and imperfections of the process, I’ve learned to enjoy the experience and flow with the unpredictability that makes this medium unique.
What is your favorite RISO ink color to print with and why?: Paprika is as fun to print as it is to say; this color makes me so happy and is such a warm compliment to other riso inks.
What project have you created on your riso that you are most proud of?: Cosmic Quest is a 4-color RISO print where I experimented with various mediums (including collage, drawing, and painting) to create the final artwork. This felt like a dice roll in the moment but has inspired me to think differently about my approach to creating artwork for the risograph.
Link to the finished print here.
If there is anything else you would like the world to know about yourself (your inspiration, what you do with your empty riso ink tubes, what you had for lunch) here is the spot: I used a sharpie on a shower curtain to create a step-by-step diagram for disassembling and converting a GR ink drum... easy to follow + easy to clean!
Name another risograph printer whose studio space or work inspires you: Robert Baxter is a writer, printer and educator who has done incredible work for the risograph community. He has used his experiences and learnings to revitalize machines, encourage independent publication, and provide support to other printers.